Received Second place in the Popular Culture category given by ForeWord Magazine Over time and across cultures, shifting concepts of beauty have given rise to extraordinary fashions that constrict, enhance, minimize, or exaggerate various zones of the human body. This stimulating book displays and discusses an array of such extreme fashion practices, from the bound feet of aris...(展开全部)

Received Second place in the Popular Culture category given by ForeWord Magazine Over time and across cultures, shifting concepts of beauty have given rise to extraordinary fashions that constrict, enhance, minimize, or exaggerate various zones of the human body. This stimulating book displays and discusses an array of such extreme fashion practices, from the bound feet of aris...(展开全部)

Natalie Angier knows all that scientists know - and sometimes more - about the power of symmetry in sexual relations, about the brutal courting habits of dolphins, about the grand deceit of orchids, about the impact of female and male preferences on evolution. She knows how scientists go about their work, and she describes their ways, their visions, and their arguments. Perhaps...(展开全部)

For the past forty years shamanism has drawn increasing attention among the general public and academics. There is an enormous literature on shamanism, but no one has tried to understand why and how Western intellectual and popular culture became so fascinated with the topic. Behind fictional and non-fictional works on shamanism, Andrei A. Znamenski uncovers an exciting story t...(展开全部)

作者： 加布丽埃勒 - 苏珊·巴尔博·德维尔纳夫（1695—1755）出生于法国巴黎。她的作品受到同时代作家的影响，特别是《灰姑娘》的作者夏尔·佩罗和首位提出“fairy tales”（神话故事）之说的奥诺伊公爵夫人。加布丽埃勒 - 苏珊一生出版了多部小说，而她最广为人知的身份是《美女与野兽》的原作者。 绘者： 米娜利马（MinaLima）是一家一流的平面设计工作室，它的创始人是米拉波拉·米娜（Miraphora Mina）和爱德华多·利马（Eduardo Lima）。他们曾为《哈利·波特》系列电影工作了十年，为该系列电影打造了一种独特的视觉图像风格。在伦敦设立工作室以后，他们继续用视觉艺术语言来讲故事，设计的领域包括书籍装帧、包装设计以及为电影创作图形道具。他们曾参与的电影有《理发师陶德》（2007 年）、《金色罗盘》（2007 年）、《模仿游戏》...(展开全部)

Natalie Angier knows all that scientists know - and sometimes more - about the power of symmetry in sexual relations, about the brutal courting habits of dolphins, about the grand deceit of orchids, about the impact of female and male preferences on evolution. She knows how scientists go about their work, and she describes their ways, their visions, and their arguments. Perhaps...(展开全部)

In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby-whom Nick had idolized at Oxford-and Catherine, highly critical of her family's assumptions and ambitions. As the boom years of the eighties unfold, Nick, an innocent i...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

苏珊娜·麦克尼尔（Suzanne McNeill），设计师、艺术家、专栏作家。她非常喜爱尝试各类艺术形式，并将其运用到禅绕画的实际创作中，她的禅绕画灵感艺术作品被称作“魔力艺术”。苏珊娜所写的关于禅绕画的书都受到了广大读者的欢迎。 辛迪·谢帕德（Cindy Shepard），实验艺术家，她的创作专注于材料的循环利用和混合媒介材质的艺术表现。辛迪的禅绕画作品丰富多样，又各具特色。 李阳琨，设计师、自由译者。在国外留学、工作多年，主要从事文化交流、设计和翻译等工作，热衷公益事业。

In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby-whom Nick had idolized at Oxford-and Catherine, highly critical of her family's assumptions and ambitions. As the boom years of the eighties unfold, Nick, an innocent i...(展开全部)